Written Review: Cloud Atlas (2012)

by Jason Pyles
Movie Podcast Weekly.com

A few questions about “Cloud Atlas”: How are there two movies currently playing in theaters with the word “Atlas” in the titles, namely, “Cloud Atlas” and “Atlas Shrugged II: The Strike”? How did this adaptation ever get past its initial pitch meeting? And more to the point, how would one pitch something like “Cloud Atlas” to studio execs? And how does one cut a trailer for such an execution-dependent film? And how long did it take to edit this film?

Premise: Adapted from a 2004 novel by David Mitchell, “Cloud Atlas” is essentially an anthology film with six story lines, set in various time periods, that are loosely interrelated and interwoven within one another:

One story involves a tribesman who is enlightened by a visitor who redefines his perception of the truth. Another story involves a seafaring traveler who is being treated by a doctor for a mysterious, deathly illness. Another story involves a female journalist pursuing a dangerous story pertaining to the energy industry. Another story involves a composer’s assistant who becomes perilously entangled with his employer. Another story involves an older man who has been tricked into admitting himself into an elderly care facility and tries to escape. And the sixth story involves a heroic man who rescues an enslaved woman in hopes that she can initiate the beginning of a great social revolution. Continue reading

Movie Podcast Weekly Ep. 004: Paranormal Activity 4 (2012)

In this epic, 2 hour and 18-minute episode, Jason talks with horror critics Jamie Jenkins and Midnight Corey about “Paranormal Activity 4.” Typically we try to keep our episodes between 60 to 70 minutes in length, but we were just having so much fun talking about movies, we lost track of time. Apologies for any inconvenience, but we think you’re going to love this episode.

JAMIE JENKINS is a host on Devour the Podcast (a horror movie show) and Evil Episodes (a horror TV podcast). Jamie can also be found at Horrorphilia.com. You can find the Viscera Film Festival here. And this is where you can view Jamie’s short film: “Secret Shopper.”

MIDNIGHT COREY is the host of The Electric Chair (horror movie audio and video podcast). He runs an entertaining Web site called Midnight Corey.com, where you can also find his original music. Corey was the featured songwriter guest on The Songwriting Podcast, Episode 5. And here are links to some episodes of The Electric Chair that we mentioned during this podcast: Continue reading

Movie Podcast Weekly Ep. 003: Argo (2012)

In Episode 003 of Movie Podcast Weekly, Jason and Karl are joined by special guest podcaster and documentary filmmaker Joshua Ligairi.

SHOW NOTES:
I. Intro
II. Mini Reviews
Karl: Hotel Transylvania (2012), The Perks of Being a Wallflower (2012), 10 Years (2011), End of Watch (2012)
Jason: Primal (2011), Humongous (1982) – Thanks to my pal, Dave Becker of DVD Infatuation.com
Joshua Ligairi: Dark Shadows (2012), the “G.I. Joe” movies, Channing Tatum’s filmography Continue reading

Movie Podcast Weekly Ep. 002: Taken 2 (2012)

In Episode 002 of Movie Podcast Weekly, your hosts fight about “Taken 2,” which was just released this past Friday on October 5.

SHOW NOTES:
I. Intro
II. Mini Reviews
Andy: Extremely Loud & Incredibly Close (2011)
Karl: Pitch Perfect (2012)
Jason: (10 Bizarre Deaths), Black Sheep (2006), Dog Soldiers (2002) – Thanks for the review request from Deadbox Mike at Streaming Terror.com
Listener e-mail: From “Hammer” of Zombie Reckoning Podcast
III. Review: Taken 2 Continue reading

Written Review: Taken 2 (2012)

by Jason Pyles
Movie Podcast Weekly.com

Premise: A retired CIA agent who killed several men while rescuing his kidnapped daughter is now pursued by the vengeful family members of his victims.

Review: It’s this simple: If you liked “Taken,” then you will also like “Taken 2.” It’s the same movie, in almost every respect, story beats and all, except this time, his ex-wife is also thrown into the threatened family member mix. This same story, (slightly) different title isn’t necessarily a criticism, because I loved the first movie; I’ve seen “Taken” three times since its release, and I’d rate “Taken” 8.5 out of 10, and I’d recommend buying it.

I have read and heard a lot of attacks on “Taken 2,” where its critics are calling this sequel far-fetched and predictable. Those characteristics are inherent in its predecessor, and are a necessity in order for this story to work as it does. “Taken” and “Taken 2” are male-validation fantasies, where a father and husband is smart enough and strong enough to rescue the women he loves. Films like this are specifically designed to appeal to male viewers’ need to feel powerful and masculine and female viewers’ need to feel safe and protected. Continue reading